Indian Classical Dance Extravaganza!

Saturday, August 28, 2010
I’ve been in a “classical” mood lately and the time was ripe to finally create an Indian Classical Dance Extravaganza video!  “Extravaganza” has become my codeword for a remix/compilation video, and it makes it sound so exciting! ;)

As I wrote in my “How South Indian Films Stole My Heart” post, classical dance was what drew me into South Indian films and continues to endlessly fascinate me with its beauty.  My video below features clips from some of my absolute favorite classical dances in Indian cinema (most post-1960s).  As a bonus, many of the films are entirely about classical dance too! In the video I focused on South Indian dance forms; most of the clips are clearly inspired from classical Bharatanatyam, Kuchipudi, Odissi, Mohiniattam, Manipuri, Kathak, and Kathakali dances, though they are film dances of course and not pure classical performances.  I love them just the same!  Movie and song sources are listed below.  Big shoutout to Ramesh who gave me encouragement and song/video ideas!

Enjoy my little labor of love! (Note: Yes, the aspect ratio is goofed up per my limited video editing skills of the time)


Clips are from the following films/songs ordered by dancer:

Bhanupriya
- Gopura Vasalile (Tamil, 1991) – “Naadham Ezhundhathadi”
- Swarna Kamalam (Telugu, 1988) – “Andela Ravamidhi,” “Shiva Poojaku"
Kamal Hassan and/or Manju Bhargavi
- Salangai Oli (Tamil, 1983) – “Nadha Vinodhangal,” “Bala Kanakama”
- Shankarabharanam (Telugu, 1979) – “Raagam Thanam Pallavi”
Shobana
- Manichitrathazhu (Malayalam, 1993) – “Oru Murai Vanthu”
- Dance Like A Man (English, 2003) – “Ghungroo,” “The Dance of Joy Thillana”
- Rudraveena (Telugu, 1988) – “Lalitha Priya”
Vineeth (and/or Jyothika, Kavya Mahadevan, Vidya Balan)
- Chandramukhi (Tamil, 2005) – “Raa Raa”
- Mazhavillu (Malayalam, 1999) – “Sivadham”
- Banaras (Malayalam, 2009) – “Madhuram Gayagi Meera”
- Bhool Bulaiyaa (Hindi, 2007) - “Aami Je Tomar”
Sridevi
- Jaag Utha Insaan (Hindi, 1984) – “Tarpat Beete Din,” Temple dance scene
Padmini
- Journey Beyond Three Seas (Russian, 1958)
Hema Malini
- Abhinetri (Hindi, 1970) – Intro credits song
Vyjayanthimala
- Prince (Hindi, 1969) – “Muqabala Humse Naa Karo”
Revathy
- Devasuram (Malayalam, 1993) – “Angopaangom,” “Medaponnu”
Lesser knowns/unknowns
- Ananda Bhairavi (Telugu, 1984) – “Koluvaitiva Rangasai”
- Sringaram (Tamil, 2006)
- Aditya 369 (Telugu, 1991) – “Suramodamu”
- Enakkul Oruvan (Tamil, 1984) – “Ther Kondu Sendravan”
- Saptapadi (Telugu, 1980) – “Nemalli Ki Nerpina,” Tandav dance scene
- Tik Tik Tik (Tamil, 1981) – “Poo Malarndhida”
- Pavithram (Malayalam, 1994) – Mohiniattam scene
- Pournami (Telugu, 2006) – “Bharatha Vedamuga,” Charme’s dance practice scene

Songs used for the remix

Kinara (Hindi, 1977) – “Meethe Bol Bole”
Enakkul Oruvan (Tamil, 1984) – “Ther Kondu Sendravan”
Mehbooba (Hindi, 1976) – “Gori Tori Paijaniya”
Uzhaikkum Karangal (Tamil, 1976) –“Aadiya Padhangal Ambalathil”
Chandni (Hindi, 1989) – “Instrumental”

Films I contemplated using clips from but did not in the final version are: Vanjikottai Valiban, New Delhi, Amrapali, Uliyin Osai Poo Magaloorvalam, Yamadonga, Sur Sangam, Vanaprastham, Megha Sandesham, Autograph, Devdas, Nache Mayuri, Sithara, Maro Charitra (Kamal Hassan). 

Last, thanks to these groovy software programs: Vegas Movie Studio HD, Audacity, Handbrake.

Chiranjeevi's Classical Dance Debut in Subhalekha (1982, Telugu)

Sunday, August 22, 2010
When I first heard that the megastar Chiranjeevi had performed a Kuchipudi, Kathakali, and Kathak set in the 1982 Telugu film Subhalekha, I just HAD to buy the DVD and see such a gem!  Sure, Chiru can dance the modern stuff alright, but Classical Indian Dance?

His performance turned out to be immensely entertaining (i.e. silly) as I expected-- primarily because Chiranjeevi is clearly not classically trained, but he gives an endearing performance in which he is obviously giving his best effort.  Out of the three styles, I think his Kathak is the least cringeworthy and actually shows some skill in the quick moves department!  I might even say I'm slightly impressed by it! I'm curious how this song was received back in its day.  Was it considered a laughing stock worthy of ridicule, or were awed fans blinded by Chiru's moves?  If anyone knows, please do comment.

Highlights:
  • The "deer and cowboy lasso" move at
  • The random ads interspersed throughout (apparently in the film the dances are part of a commercial being taped)
  • The evil smirk and general "I'm just trying to dance under the weight of this headpiece" physicality
  • The kathak-hand-swirl - go Chiru!
Video starts at14:18

Film Thoughts: Shatranj Ke Khilari (1977, Urdu/Hindi, Satyajit Ray: Sanjeev Kumar, Saeed Jaffrey, Shabana Azmi)

Sunday, August 1, 2010
When I finished Shatranj Ke Khilari, my first film of Satyajit Ray, I was a bit confused. I found the film supremely charming with an extremely humorous, quiet undercurrent throughout, but it wasn’t at all what I was expecting. On top of that, it was in Urdu/Hindi, not Bengali like most of Ray's works.  This plot synopsis from UpperStall makes it sound like quite a serious period film:

“It is 1856, a year before the Great Indian Mutiny and Lucknow, the capital of the kingdom of Awadh is steeped in sensual stupor. Its ruler, Nawab Wajid Ali Shah (Amjad Khan) is more interested in the pursuit of art and culture than ruling his kingdom while two of his fiefs - Mirza Sajjad Ali (Sanjeev Kumar) and Mir Roshan Ali (Saeed Jaffrey) are obsessed with the game of chess at the expense of their administrative and domestic duties. The British sets its eyes on Awadh and wants to annex it on the pretext of misrule, despite the fact that the kingdom is already under a friendship treaty with the East India Company and provides it with soldiers and money whenever required. The Indian Governor General of that time, Lord Dalhousie entrusts the Resident of Lucknow General Outram (Sir Richard Attenborough) with the unholy job of convincing the Nawab to hand over his kingdom by signing a new treaty. Despite grandiose posturing not to comply with the demands of the Company, Wajid Ali Shah eventually acquiesces and the British army marches into Lucknow while the two landlords continue to play chess at a deserted landscape, indifferent to the historical changes that are occurring under their nose.”


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