Found: Bala (1976, Satyajit Ray) and an Extant Recordings List

Thursday, March 22, 2012
Only two documentaries are said to have been made on the legendary devadasi/Bharatanatyam dancer T. Balasaraswati (Sruti magazine).  The first was a 1962 recording titled Balasaraswati produced by Wesleyan University in the US, and the second was a 1976 documentary titled Bala directed by Satyajit Ray.

The Wesleyan recording appears to be available for purchase [Update: no longer locatable now] and short clips from it are on YouTube, but the Satyajit Ray documentary is as elusive as can be!  I don't think it's ever been commercially released, and only a few film studies programs and government archives seem to have copies which are unfortunately rarely screened.  As luck would have it, this week I found a copy of the rare documentary online.  Blocky artifacts due to apparent heavy compression made for a less-than-ideal viewing experience, so I cleaned up the video to make it as presentable as possible given the source.  I rarely post entire films, but I'm presenting this one for not only the educational value of discussing it here but also because it is an important archival recording of a critical figure in the history of India's classical dance traditions.  Ray himself apparently saw the film's "main value as archival" and he "put on film a rare performer for future generations to marvel at" (Robinson).

Here is the wonderful documentary; time markers of interest (if you watch the video on YouTube you can click on the times in the description and go straight to that point of the video): 2:07 - Bala demonstrating hand gestures 3:57 - Bala singing and performing abhinaya 7:00 - Bala speaking in English 8:29 - An elderly Uday Shankar speaking about Bala 9:58 - Bala's Krishna Ne Begane Baro dance by the ocean 18:58 - Bala's varnam dance with her musical ensemble.  (Note - A better version of Bala is now available on YouTube; please see my June 8 postI have not yet removed my version below in case others have linked to/embedded it). 


Rare Video of Devadasis Gauri Ammal and Balasaraswati

Sunday, March 18, 2012
While chatting with an online friend about the history of devadasis and other topics related to this blog, my friend pointed out that the website of the Asia Society had a video containing a rare clip of devadasi Mylapore Gowri Ammal dancing.  The video was Douglas Knight's presentation at the June 2010 Asia Society-hosted launch of his book, Balasaraswati: Her Art and Life.  As I watched, I was completely astonished to discover that not only did it have an almost 3-minute video of Gauri Ammal's abhinaya (!) but also it contained two separate clips (with nearly 13-minutes of collective dance footage) of the legendary devadasi T. Balasaraswati.

Here is the stunning video with the dance segments notated above.  The first two dances have no sound and Mr. Knight reads excerpts from his book in the background. (Here's the original video link if needed.)

 12:02-16:00 - Balasaraswathi dancing on stage
 18:13-20:54 - Mylapore Gowri Ammal
 22:34-34:09 - Balasaraswathi performing an alapana starting at 23:25 and then dancing to Krishna Nee Begane Baro starting at 25:17 (according to Sangeetha's blog).


Found: Three New Kamala Dances (Ore Iravu, Vedhala Ulagam, and Manthiri Kumari)

Saturday, March 17, 2012

2012 is the best year ever!  I present here a set of three new rare dances featuring Kumari Kamala between the ages of 13 and 16.  Two of them are ones I have been seeking for a while!  (And a big sidenote - I have confirmation that Kamala's dances in Chenda are on their way so expect a post on that in the next couple of weeks!)

Ore Iravu (aka Or Iravu, Tamil, 1951) - All hail the great Kamala dance finder/uploader cram! Once again, cram has ran into/unearthed another rare dance of hers!  This dance was one I mentioned I was hunting for on my "Even More Rare Dances of Kamala" post, and now it has been found! Yay! Many thanks to cram!  According to Randor Guy's article about Ore Iravu, this song is a "Shiv-Shakthi" dance drama and since he notes Padmini and Lalitha were also dancers in it I'm guessing there's a longer version of the dance drama in the film.  Kamala's part is a nice, abhinaya-focused "twin" dance where she plays two different sets of characters, and doesn't she look just adorable with those curls in her hair! She's in that stage right in between her childhood look and her later, more "mature" appearance. 


Gurus Gopinath & Gopalakrishnan Dancing in Mayabazar (Telugu, 1957)

Monday, March 12, 2012
I just discovered the charming "Mohini Bhasmasur" dance drama sequence in the 1957 Telugu (and Tamil) film Mayabazar this weekend and can't believe I haven't seen it before!  The scene enacts the "Mohini Bhasmasur" legend in Hindu mythology which goes something like this: Shiva granted the demon Bhasmasur the ability to turn anyone whose head the demon touched to flame and ashes (bhasma).  When Bhasmasur tried to use the power on Shiva, Shiva ran from him and sought Vishnu's help; Vishnu turned himself into the beautiful dancer Mohini and appeared in front of Bhasamasur.  The demon was so smitten by Mohini that he asked her to marry him; she gave one condition that if he followed her every dance move, they would be wed.  As the two matched steps, Mohini tricked the demon into matching her final move of touching her head!

It's a clever little trick that makes for an entertaining drama.  But what makes the rendition in Mayabazar so fascinating is that it apparently features Guru Gopinath as the demon Bhasmasur and Guru Gopalakrishnan as Lord Shiva!  Gopinath's costume is striking and his physicality, especially when he imitates the mohini's dance, is very funny.


Kumari Kamala Dancing in the Documentary "Bharata Natyam" (1954)

Saturday, March 10, 2012
(Update: In 2019, I discovered a vastly better quality version of this documentary, see this post).

I'm so excited about this discovery that I feel like shouting from the rooftops that I have found footage of non-film Bharatanatyam by Kamala in the 1954 Indian Films Division 12-minute documentary Bharata Natyam directed by Jagat Murari!  She is the featured dancer that demonstrates the characteristics of Bharatanatyam (accompanied by a boring English voiceover) such as styles of gaits, hand gestures, head and neck movements, footwork, and then demonstrations of short segments of the various pieces of a Bharatnatyam concert (Alarippu, Jatiswaram, Shabdam, Varnam, Padam, Tillana).  There is a slight jerkiness at times that I address at the end of this post.  Here it is, the video featuring the illustrious Kamala also known as Baby Kamala/Kumari Kamala/Kamala Lakshman/Kamala Lakshminarayanan/etc!


Isn't it wonderful?  What a treat to get to see Kamala dance and perform in some ways that we would never get to see in her film dances; not only isolated movements of specific body parts but also how she performs specific common Bharatanatyam pieces such as the Alarippu without all the editing and shifting angles of film dances.  Incredible!

Upcoming Documentary: Odissi - From the Temples to the Contemporary Stage

Thursday, March 1, 2012
One of my favorite classical-dance related blogs, Sacred Space, recently posted a teaser from the upcoming documentary film Odissi - From the Temples to the Contemporary Stage by Sandrine Da Costa (with collaboration by the Sacred Space blog author herself, Isabel Putinja).  The film is beautifully shot and looks to feature an excellent array of Odissi artists and performances. 

Click on the teaser screencap collage below to link to the original Sacred Space post to watch the teaser:

What struck me most was the recent footage of young male gotipua dancers!  A cursory look into Odissi history usually reveals its origins in the dances of the maharis and nartakis (Oriya temple and court dancers), the gotipuas (pre-pubescent boys apparently trained in acrobatic and mahari-imitative dance and dressed like girls), and perhaps the martial arts and dance theater traditions of the area.  Some writings allude that modern Odissi actually largely came from the gotipua and theater traditions (and it's interesting to note most of the men who came together to form "Odissi" were former gotipua and theater dancers).  For more on the subject, I would recommend the section "Odissi, Temple Rituals and Temple Sculptures" from Alessandra Lopez y Royo's online book ReConstructing and RePresenting Dance: Exploring the Dance/Archeology Conjunction hosted at the Stanford Humanities Lab website [Update: The Stanford site is no longer available, but the book can be viewed at Lopez y Royo's Academia page].  (Sidenote: I've just discovered her writings in a couple hardcopy dance books I've been reading and she looks to have some fascinating information/theories.)

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