"WHAT?!" That's what I said when I first heard the news this morning from commenter gaddeswarup and an online contact (thank you!). It's true: Uday Shankar's 1948 film Kalpana (Imagination) will be screened at the 2012 Cannes Film Festival as part of the Cannes Classics program. The festival website has these notes about the film: "Restored by the World Cinema Foundation from a copy of the original negative preserved by the National Film Archive of India. With thanks to Shivendra Singh and family of Uday Shankar. The print was restored by the Cinematheque of Bologna and the Immagine Ritrovata laboratory." The Scorcese-chaired World Cinema Foundation doesn't have any information up yet about it or any other restored films for 2012.
I'm stunned by this news, frankly. Richard at the Dances on the Footpath blog and I have both blogged about the film and the difficulty of seeing it. When Richard first blogged about it here, he received a slew of stunning comments from people who had seen the film or even had a copy, and then he broke the exciting news that Martin Scorcese was restoring the film. The film then made the #1 spot on my "holy grail" list post, where I discussed the feeling that something was fishy regarding Scorcese's supposed restoration of the "only copy" of the film given that so many other prints were clearly out there. I began to doubt that the whole thing would ever materialize, especially when I talked to various online friends and read tidbits here and there that noted complicated issues within the Shankar family over ownership of the film. But given that the Cannes page notes "thanks" were given to the family of Uday Shankar, it appears that any issues within the family must have been cleared up! I'm guessing that while there are many other prints out there floating around, they are probably either not in the best of quality or not in the complete form of the original theatrical release. I'm hoping these are two things Scorcese resolved through his foundation's restoration of the film, because then their print will truly be the best copy out there!
I'm stunned by this news, frankly. Richard at the Dances on the Footpath blog and I have both blogged about the film and the difficulty of seeing it. When Richard first blogged about it here, he received a slew of stunning comments from people who had seen the film or even had a copy, and then he broke the exciting news that Martin Scorcese was restoring the film. The film then made the #1 spot on my "holy grail" list post, where I discussed the feeling that something was fishy regarding Scorcese's supposed restoration of the "only copy" of the film given that so many other prints were clearly out there. I began to doubt that the whole thing would ever materialize, especially when I talked to various online friends and read tidbits here and there that noted complicated issues within the Shankar family over ownership of the film. But given that the Cannes page notes "thanks" were given to the family of Uday Shankar, it appears that any issues within the family must have been cleared up! I'm guessing that while there are many other prints out there floating around, they are probably either not in the best of quality or not in the complete form of the original theatrical release. I'm hoping these are two things Scorcese resolved through his foundation's restoration of the film, because then their print will truly be the best copy out there!



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