|Kali Yug film posters|
According to the Historical Dictionary of Italian Cinema, Kali Yug was one of "two adventure fantasies set in India" directed by Mario Camerini, "one of the foremost directors of Italian cinema in the interwar years." The full name of the film was Kali Yug, La Dea Della Vendetta (Vengeance of Kali), and its sequel released in the same year was Mistero del Tempio Indiano (Mystery of an Indian Temple). While the credits of the films describe them as Italian-French-German coproductions, the films seem to have been shot in Italian and then dubbed into German (Kali Yug Die Gottin Der Rache/Aufruhr in Indien) and French (Kali-Yug Deesse de al Vengeance/Le Mystere Du Temple Hindou) as well as other European languages judging by the titles found online (Kali-Yug Les Revoltes de/de Opstandelingen Van, Kali-Jug Boginja Osvete, etc.)
The films are an entertaining orientalist imagining of a "strange" India and feature lots of European actors in brownface. The setting is the seemingly fictionally-located city of "Devgaon" in 1880 India.
The four dances in the films all center around the character Amrita, an exotic-enough sounding Indian name, played by the French actress and "Bond girl" Claudine Auger. Darkened into ridiculous-looking brownface, Amrita seems to be some sort of temple dancer or dancer maintained by the kingdom who lounges about in opulent quarters when she's not performing in a way straight out of colonial paintings.
Kali Yug was released only four years after Fritz Lang's successful 2-part 1959 "Indian Epic" (Der Tiger Von Eschnapur and Das Indische Grabmal) which makes me think Camerini wanted to try his hand at the "exotic India" subject matter for the Italian audience primarily but also with dubs to cash in on India-hungry audiences in France and Germany. France has a colonial history in India and Germany's love of Indian culture and films is well documented, but Italy's connections to India seem much less robust though similar in some ways to Germany particularly far back in history. Given how influenced the films seem to be by the 1938 and 1959 versions of Das Indische Grabmal/Der Tiger Von Eschnapur, I wasn't surprised to see the credits list Eichberg Film as one of the coproducers. I assume that was the production company Richard Eichberg who directed the 1938 films!
The Film Dances
The first "Indian" dance is a practice scene with Amrita teaching two "Indian" (Europeans in brownface?) women in front of the gazes of British officers. We see Amrita first in closeup as she does stereotypically-exotic "Indian" movements (including "namaste" and "eye" gestures) and then we see a bit of her teaching before the three are seen dancing again briefly at 25:15. Wish I knew what idiotic comments the British officers were making in the interim! The other two dancers while looking as over-tanned as Amrita at least have some dancing talent. I can't guarantee any of these videos will start at the right time (Dailymotion is buggy), so move to the time listed at the top of the video or use the direct link if needed.
23:33-26:00 - Direct Link
54:55-56:40 - Direct Link
The third dance in the film is a brief solo performance by Amrita for what looks like the king, and she moves her hand in one trajectory frozen in the same hand gesture...seemingly to evoke some sort of mysterious exoticism. The eclectic mix of instruments is quite humorous!
1:20:57-1:22:11- Direct Link
In the film sequel, there is only one dance--a dramatic number by Amrita in the temple in front of the Kali statue right before the structure implodes. The setting is obviously inspired by the 1938 and 1959 versions of Der Tiger Von Eschnapur/Das Indische Grabmal. Amrita's moves here are simplistic, rhythmic, and most importantly, "exotic"!
1:18:14 - 1:20:11 - Direct link