Showing posts with label L Vijayalakshmi. Show all posts
Showing posts with label L Vijayalakshmi. Show all posts

Film Dances of L. Vijayalakshmi

Sunday, January 12, 2014
L. Vijayalakshmi—the cute-as-a-button, dimple-faced dancer who danced and acted most prolifically in 1960s Telugu cinema—is a dancer that I've not featured much on this blog to date. For a long time I didn't like her classical film dances. They were too filmy faux-classical and she had a habit of lunging her upper body forward in jumps. But as more films and songs have become available online, I've watched a wider range of her dancing (including her Western-style dances) and have come to admire a few. I've even found a new, early dance of hers. In my usual style, I will feature my favorite dances of hers, a playlist of all of her known dances, and note some information about her life—including surprising details about her current work today!

L. Vijayalakshmi's Film Dances

Neethipathi (1955, Tamil) - "Ananthame Anantham" - This is L. Vijayalakshmi's earliest film dance that I'm aware of, and for that it gets listed first on the list. She is on the right paired with a young and adorable E.V. Saroja in the twin-dance format that became wildly popular after Sayee-Subbulakshmi popularized it in Rathakaneer and Malaikkalan the year previous.

Starts 3:05

Renukadevi Mahatyam (1960, Telugu) - This is the dance I'm most excited to feature! Filmed a few years after Neethipathi above, Vijayalakshmi still looks very young here. The choreography aims for sharp form and geometrical lines in the pure dance movements—characteristics that softened into a more filmy hybrid style in later years. Notice her ankle bells (gajjalu in Telugu) at 12:16 and the way the elongated bells hang downward. It's unfortunate the print jump cuts through material at times, but at least the visual quality is quite crisp!

Starts 10:49

My Favorite "Twin" Dances in Classic Indian Cinema

Sunday, October 3, 2010
I was first introduced to what I call "twin" dances when I saw the song "Aduvome" in Naam Iruvar some time back on the Dances on the Footpath blog. In the song, a young Kamala Lakshman is shown dancing twice in the same frame through some special effects magic.  The film released in 1947 (way before Hollywood's similar effect in The Parent Trap) and I'm intrigued by just how they did it!



As I've been watching more and more classic Indian films I've noticed the "twin" dance, a dance featuring two young women (or one superimposed twice) who perform the same dance movements, was a popular presentation style. In my opinion, the best "twin" dances are those based on South Indian classical dance forms because the crisp moves look stunning when seen in parallel.  I suppose I could call these dances "dancing duos" or something similar, but since they have the specific characteristic of each dancer following similar movements close to each other, I'll stick with "twin dances."

My Favorite (Black and White) Classical Indian Film Dances

Sunday, September 26, 2010
I have spent the last month or so on a mission to find each and every single instance of Classical Indian Dance in Indian films.  Given my enjoyment in making long, meticulous lists, this has been a most satisfying adventure!  Guided by some fellow bloggers posts, friends, loved ones, and sheer Google-Fu, I’ve discovered some beautiful dances and even a few seemingly-rare gems along the way.

Commencing with this post today, my next series of posts will be about classical dances in Indian cinema: lists of my favorites, twin dances, informal practice scenes, humorous dances, dances featuring men, Tandav dances, lesser-seen dance forms, spectacular dances in general, and more! This is actually what I originally envisioned my blog to be but never had enough time to explore until now.

This post focuses on my most favorite classical film dances from black and white Indian films.  There are many dances that I enjoy (and that will be highlighted in future posts!), but this post focuses on my top 11 that I love to watch repeatedly and that either keep me spellbound or immensely entertained. Old black and white films are such a pleasure to watch because I feel as though I'm discovering “lost” treasures and songs nearly forgotten.

Powered by Blogger.
Back to Top