Showing posts with label Shobana. Show all posts
Showing posts with label Shobana. Show all posts

Muthukumara Pillai On Screen in Kannika (1947), and Other Nattuvanars in Indian Cinema

Saturday, November 28, 2015
Thanks to two YouTubers who have uploaded songs from the 1947 Tamil film Kannika in the past few months, Bharatanatyam dance history aficionados can now witness on screen the nattuvanar Kattumannar Koil Muthukumara Pillai (1874-1960, also known as Muthukumaran or Muthukumarappa, of the village Kattumannarkoil aka Mannargudi or Kattumannargudi) at the age of 73 playing the role of a nattuvanar in the song "Natanam Adinar":

Muthukumara Pillai can be seen at 1:14, 1:58, closeup at 2:55, and 3:51 onward
(the lower quality version includes 2 more seconds where he begins to speak, but it's cut off!!)



How do I know it's him? I had read a while back in the September 1993 Sruti magazine feature on Muthukumara Pillai (for brevity, MKP) that when he was in Coimbatore from 1944-1947 teaching exercises and dances to young boys at a drama company, he "came in contact with Pakshiraja Studios and trained the proprietor Sriramulu Naidu's wife Saroja for her lead role in the film 'Kannika' [and] Muthukumara Pillai himself too made a brief appearance in the film." When I watched the recently-uploaded songs and compared the nattuvanar's appearance with known photos of Muthukumara Pillai, it was clearly him! Compare these stills from Kannika with a photo of MKP that I featured in my post on Muthuswami Pillai and that must have been taken in the late 1930s which were the years the young man on the right, Muthuswami Pillai, trained with MKP.

Left: Kannika  Right: Muthukumara Pillai [credit: Mohan Khokar]
This Kannika footage is incredible because Muthukumara Pillai belonged to the oldest generation of nattuvanars whose hereditary artistic practice was discovered in the twentieth century transformation of what we today call Bharatanatyam. What's more, he along with his contemporary Meenakshi Sundaram Pillai (also known as Pandanallur Meenakshisundaram Pillai, from Pandanallur village, for brevity MSP) are often remembered today as the two top-ranking gurus and nattuvanars of their generation who trained most of the first non-hereditary Bharatanatyam dancers who spread and popularized the art form far and wide. The two of them each trained such legends as Ram Gopal, Rukmini Devi Arundale, Mrinalini Sarabhai, and Kamala Lakshman.

Found: Rangam (Malayalam, 1985) and Shobana/Mohanlal's Bharatanatyam and Kathakali Dances!

Sunday, July 19, 2015

Rangam, one of the holdouts from my "holy grail" wish list, has finally been uploaded to YouTube! (Update: New source relinked in 2019). Thanks to cram for informing me of this lucky discovery! As I had hoped, classical dance (Kathakali and Bharatanatyam) serves as the backdrop to Rangam's plot, and no more than 15 minutes go by before dance is seen again either in the background or as a centerpiece. Most exciting of all, there are lots of my beloved dance practice sequences scattered throughout the film!

Rangam is part of the rash of classical arts films that swept South India in the late 70s to 90s starting largely with the success of Sankarabharanam (Telugu, 1979). Rangam seems to be one of the earliest Malayalam films to follow the trend, and it was followed by other similar classical dance/arts films in Malayalam like Swathi Thirunal (1987), Kamaladalam (1992), Swathi Kiranam (1992), Rajasilpi (1992), Devasuram (1993), Manichitrathazhu (1993), Parinayam (1994), and Kaliyattam (1997).

Now on to the dances! I made a comment on the video at YouTube that lists all the dances in the film by category, so if you go there you can click on any timestamp of interest and it will whisk you away to that timestamp on the player. Here are my favorite dances from the film...

Bharatanatyam/Mohiniattam Dances

Film Classical Dances of Shobana

Tuesday, December 17, 2013
Shobana, the well-known Bharatanatyam dancer and film actress/dancer, was my first film dance love alongside the equally luminous Bhanupriya. Until now I have posted very little about her, the subject of my blog avatar image, because other than her excellent dances in Manichitrathazhu and Dance Like a Man I had not been able to find any other proper film classical dances in her filmography. There were lots of pseudo-classical dances and numbers that tried to evoke classical imagery like those in Rudraveena, Dhwani, and April 18. It seemed hard to believe given how talented of a dancer she was, and I knew there had to be some hardcore practice and stage numbers hiding out there somewhere.

I was so excited when Richard at his Dances on the Footpath blog found Shobana's Bharatanatyam numbers in Mahamayee, and thanks to the huge uptick recently in the number of Malayalam films and songs posted online I was able to find this week two Malayalam films with classical dances by Shobana that I have never seen before (and I venture to guess neither have most of my readers!). Huge thanks are due to Youtuber Iqnatusm who has uploaded a lot of rare dances from Malayalam cinema [Update: Channel no longer available].

SHO-bana (not "Sho-BANa" as my Malayalee friend corrects me with exasperation) Chandrakumar was born in 1970 (not 1966 as some articles mistakenly claim) in Kerala to the brother of the famous "Travancore Sisters" Lalitha, Padmini, and Ragini. Her first film appearance was at age 9 in Mangalanayiki (Tamil, 1980) but she describes in an interview [no longer available at ibnlive] her true debut film as a lead as April 18 (Malayalam, 1984). But Bhakta Dhruva Markandeya (Telugu, 1982), a children's mythological film starring an all child/teen cast, could be considered her first major role. I was delighted to find the film available on YouTube with English subtitles. Here is a 12-year-old Shobana as Queen Suneethi dancing a bit in a song with just-christened second wife Suruchi (at 13:48 is a brief Bharatanatyam-inspired move). The whole children/young teens acting such mature roles thing is a bit...creepy!

Starts 12:14

Classical Dance Practice Scenes/Songs in Indian Films

Thursday, October 28, 2010
There is something charming and beautiful about classical dance practice numbers in Indian films. Perhaps it's the unassuming and flattering cotton sari wrapped around the dancer's body; I've always liked plain saris a bit more than the full, complicated costume. Or maybe it's the everyday, unadorned, simple nature of the dance that adds to its beauty. Or it could be that the dances often gets closer to their classical roots in this format. Whatever it is, I'm simply a huge fan of them in films.

Below is a list of all 34 practice numbers I can think of in Indian films where the purpose of the song or scene is not "performance" but rather informal "practice" overall. It's interesting how many of them are from the 80s and 90s, the seeming "golden era" of this type of classical performance in film. The videos below are listed in rough order of awesomeness, favorites first. If you can make it all the way to the end, consider yourself a classical dance nerd like me! (Or maybe it's just list-making nerd?) Enjoy!

My Favorite (Color) Classical Indian Film Dances

Monday, September 27, 2010
As a follow-up to my post yesterday regarding my favorite black and white Classical Indian Film Dances of all time, today's post lists my favorite color classical dances in Indian films!

Like my post yesterday, I focused on songs that are based on classical dances and included only those that are my absolutely top favorites that I enjoy watching repeatedly.  There are some "classics" that I haven't included in my list simply because they are enjoyable but not my favorites (songs from films like Thillana Mohanambal, Pakeezah, Shankarabharanam, Jhanak Jhanak Payal Baje, etc.) and there are some dances that aren't classical enough to be included (like those from Amrapali).  I have a whole slew of posts coming up that will cover even more dances in all sorts of different categories!

As I noted in the black and white post, these dances are of course "not 'pure' classical dances but rather the filmy variety.  What I love about film dances is the energy the camera generates through angles and editing as well as the beauty visualized through costume and set design.  There’s just something magical about dances seen on screen." 

Let's roll the list of my favorites in order of affection!

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