Showing posts with label Sharon Lowen. Show all posts
Showing posts with label Sharon Lowen. Show all posts

Odissi Dance in Indian Cinema Outside Odisha

Saturday, December 7, 2013
Continuing on from last week's post about Odissi dance in Odia films, here I want to highlight the usage of Odissi in films outside of Odisha. Like other classical dance forms beyond the ubiquitous Kathak and Bharatanatyam, Odissi is rarely seen in non-Odian films. When it does appear in a significant way, it is usually tied to the setting of the film or a character having Odishan heritage. Below are five Indian films that featured Odissi in a significant way starting with my absolute favorite, Hamari Beti.

Hamari Beti (2006, Hindi) - I am thrilled to have discovered this film! In the same spirit as the films Mayuri/Nache Mayuri, Hamari Beti starred Sakti Swarupa Bir (aka Shakti Swaroop) and portrayed her real-life story as a girl in Bhubaneshwar, Odisha, who was deaf and speech impaired but triumphantly rose above her challenges and became an Odissi dancer. National Award-winning Odia film director/cinematographer A.K. Bir directed, scripted, and photographed the film, and Telugu film producer D. Rama Naidu produced it. While the film seems to have only been screened at some film festivals and had a very limited commercial release, luckily for us the production company Suresh Productions has posted the entire film on their YouTube channel! Distributed throughout the film is nearly 15-minutes of Odissi dance, and to my delight nearly all of them are practice dances (my favorite!) done in cotton practice saris. The careful attention to the cinematography and sound design makes the dances a gorgeous watch.

Chittaranjan Acharya (aka Prachee Chitta Ranjan Acharya or C.R. Acharyya), Sakti's real life Odissi guru and inspiration, plays himself in the film and is credited for the film's choreography. Chittaranjan is "an engineer by profession and an Odissi dance exponent by passion" who learned Odissi from Pankaj Charan Das. He still performs Odissi today with his daughter Asmita Mahapatra or his troupe. Here he is in the film demonstrating Odissi for his students—a rare male Odissi film dance!

Start 31:43

In real life, Sakti had developed her speech and hearing disabilities when she was an infant. After seeing a seven-year-old Sakti imitate dancers she saw on the television at home, her father connected her with his work colleague Chittaranjan who found she was a "promising dancer" and agreed to take her as his student. Sakti learned the form by imitating the dance of Chittaranjan's daughter Asmita who was also learning Odissi from him, and when Sakti later performed on stage Chittaranjan would "play" the rhythm with his hands next to the stage. In the film, Asmita's role is played by Odissi dancer Dr. Prachi Mehta who has an expressive and cheerful face.

Found: Sharon Lowen's Odissi Dance in Swarnakamalam (Telugu, 1988)

Wednesday, October 31, 2012
In my post on Bhanupriya's classical dances in Swarna Kamalam, I noted to my astonishment that there was supposed to be a scene in the film after Bhanupriya's "Cheri Yashodaku" hotel number where American-born Odissi dancer Sharon Lowen danced Odissi!  None of the copies of the film I'd seen (EVP DVD, Universal DVD, TeluguOne's YouTube upload) included Lowen's dance.  I couldn't imagine why it would be cut out, and I promptly put the scene on the top of my "holy grail" list.

I'm happy to announce that the scene has been found, and it's all thanks to commenter and friend Gaddeswarup who graciously took the time to have the scene converted and sent to me (thank you!!) after discovering it.  I'm so excited!  Take a look (note: the quality is fairly low, and there is a short glitch near the beginning) (EDIT: Better-quality version linked below March 2014, see old video for reference):


Bhanupriya's irritated head-bob at Venkatesh (I'll refer to them by their real names) starts out the number on a humorous note, but it quickly shifts tone to reveal a thoroughly classical Odissi performance by Sharon Lowen framed by an idol of Lord Jagannath.  Her performance is intercut with shots of Bhanupriya dreaming of dancing Odissi herself (which is at odds with her consistently-irritated expression throughout the performance).  Bhanupriya's attempt at the s-shaped Tribhangi posture at 1:55 is extremely stiff compared to Sharon's gracefulness.  There's something about Sharon's performance that seems to be not in top form here and almost as if they have her dancing too quickly.  I like some of her other TV performances a little better (see the end of the post).  But for an outsider, I think she does a fantastic job.

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