Showing posts with label Aditi Rao Hydari. Show all posts
Showing posts with label Aditi Rao Hydari. Show all posts

Recent Film Classical Dance Finds

Sunday, November 5, 2017

And...I'm back! :) Some personal matters have kept me away for a long time, but a moment of inspiration and deciding that my posts don't all have to be lengthy mini-dissertations led to a new post finally, yay! I've gathered a collection of some new classical dance finds in Indian films from the past few years as well as the exciting posting of some songs from Sringaram! Enjoy...

Sringaram (2007, Tamil) - It's been ten years since the devadasi period film Sringaram released, and while there is still no DVD or online release of all the songs or the whole film, director Sharada Ramanathan gave us a yet another glimmer of hope on her Facebook page this past March and June when she said that due to continued interest in the film it would be "out in the public domain soon" and "soon be with a main global network for all to see" with directions to "watch this space" to be informed when. Back in 2015 she had announced a summer DVD release after a Doordarshan telecast brought great interest in the film, but nothing materialized. But this time around, I'm apt to believe something will happen given the appearance online in the last few months of songs and dances from the film. For a throwback to my past posts about Sringaram, I reviewed the film back in 2010 (note that I need to replace all my photobucket-hosted photos on my blog, ugh!) and also wrote about its dance sequences.

"Three Seasons" - Posted to Sharada's YouTube account in April, "Three Seasons" features Saroj Khan's unusually on-beat choreography that is characteristic throughout the film, and trained Bharatanatyam dancers Aditi Rao Hydari and Hamsa Moily perform the Bharatanatyam and Odissi sourced and inspired movements beautifully in elegantly simple practice saris. I find it mesmerizing...


The lovely group procession dance sequence made an appearance last fall on Facebook as well here:
https://www.facebook.com/padminiravidance/videos/439542313099885/

Classical Dances in Recent Indian Films - Including Sattriya and Kootiyattam!

Sunday, August 17, 2014
While I've been mostly looking back in history as I've blogged about Indian film dances for the past few years, a number of films have released in recent years with songs or scenes featuring classical dance forms. Having collected enough for a robust post and also making some great discoveries this weekend, I'm excited to take a break from research and share what the classical movie dance world has produced recently. I'm sure I've missed some—do let me know of any others!

Vara: A Blessing (2013, Coproduction) - Screened at various film festivals since it's debut but apparently not commercially released in theaters or on DVD, Vara: A Blessing has been described as "a visually stunning exploration of the cross between spiritual devotion and bodily temptation that incorporates hypnotic use of tradition Indian dance and music" and as a work "Accented by mesmerizing bursts of classical Indian dance, haunting vocals, and vivid Hindu fantasyscapes..." With choreography by the accomplished Bharatanatyam dancer Geeta Chandran, music by Nitin Sawhney, and sumptuous visuals and effects by the crew, the dances as seen in the few clips available online make the film an absolute must watch. It's not an Indian film since it's directed by the Bhutanese lama filmmaker Khyentse Norbu with help from various countried folk, but it is set in India and was made with many Indian actors, so it is perhaps a Bhutanese/Indian/international coproduction.

This is the clip that took my breath away and has me aching to watch the film. In it, the main character Lila (Odissi dancer Shahana Goswami) dances Bharatanatyam under the nattuvangam of her mother Vinata (Geeta Chandran), the village's last devadasi. Based on Variety's review of the film which describes how the tribal leader tries to "pimp out Lila" while finding a match for a woman's son, the man staring at her as she dances is likely either the son or the tribal leader. Like him, I can't keep my eyes away from Shahana's face which registers constant emotion and danger that is enhanced by the lighting design and shadows. The entire clip has an ominous, creepy tension. Thanks to Ragothaman for pointing out this clip from Chandran's Facebook page.


Classical Dances from the film Sringaram (Tamil, 2007)

Friday, January 13, 2012
While I featured one song (the exquisite Bharatanatyam Padam piece) from the Tamil film Sringaram in my "Practice Scenes" post a while back, I feel it is high time I feature all of the dance songs from this wonderful film.  I was rewatching all the dances this week and was reminded of how strikingly exceptional they are compared to the vast majority of classical-based film dances (especially of recent years).  I had initially only posted one song from the film in the hopes that it would be released on DVD soon, but it appears that will probably never happen.

About the Film

Sringaram, a Tamil film directed by Sharada Ramanathan, was made in 2005 (and received National Film Awards for that year) but was not theatrically/publically released until 2007.  The film is a period piece about devadasi dancers and focuses on two dancers in particular, Madhura (Aditi Rao Hydari) and Kama (Hamsa Moily), and their struggles with their positions and desires (and feminist ideas!).  Manju Bhargavi also plays a role in the film and dances in a number.  I wrote a long, screencap-filled review of the film here.

What is most striking about the film is its artistry; there are no filmi determents or commercial distractions, and as the film ends you find yourself questioning your understanding of its reality and pondering its characters as metaphors.  The art direction, visuals, lighting, and costumes greatly enhance the beauty and charisma of the period atmosphere. 

The Exceptional Dances

These characteristics of the film carry over into the dances which are notable in having a heavy classical influence in visual appearance and a serious tone. What's disappointing is that while most of the dances have all the trappings of a classical number (authentic costumes, jewelry, and settings), the choreography is not as authentic as one would expect. On some of the numbers I get so excited when they begin just by looking at them (especially the ones with the cotton practice-saris), but as the dance plays out I find myself let down.  Costumes have a way of distracting us from the choreography, don't they!

Classical Dance Practice Scenes/Songs in Indian Films

Thursday, October 28, 2010
There is something charming and beautiful about classical dance practice numbers in Indian films. Perhaps it's the unassuming and flattering cotton sari wrapped around the dancer's body; I've always liked plain saris a bit more than the full, complicated costume. Or maybe it's the everyday, unadorned, simple nature of the dance that adds to its beauty. Or it could be that the dances often gets closer to their classical roots in this format. Whatever it is, I'm simply a huge fan of them in films.

Below is a list of all 34 practice numbers I can think of in Indian films where the purpose of the song or scene is not "performance" but rather informal "practice" overall. It's interesting how many of them are from the 80s and 90s, the seeming "golden era" of this type of classical performance in film. The videos below are listed in rough order of awesomeness, favorites first. If you can make it all the way to the end, consider yourself a classical dance nerd like me! (Or maybe it's just list-making nerd?) Enjoy!

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