Showing posts with label Assamese. Show all posts
Showing posts with label Assamese. Show all posts

Classical Dances in Recent Indian Films - Including Sattriya and Kootiyattam!

Sunday, August 17, 2014
While I've been mostly looking back in history as I've blogged about Indian film dances for the past few years, a number of films have released in recent years with songs or scenes featuring classical dance forms. Having collected enough for a robust post and also making some great discoveries this weekend, I'm excited to take a break from research and share what the classical movie dance world has produced recently. I'm sure I've missed some—do let me know of any others!

Vara: A Blessing (2013, Coproduction) - Screened at various film festivals since it's debut but apparently not commercially released in theaters or on DVD, Vara: A Blessing has been described as "a visually stunning exploration of the cross between spiritual devotion and bodily temptation that incorporates hypnotic use of tradition Indian dance and music" and as a work "Accented by mesmerizing bursts of classical Indian dance, haunting vocals, and vivid Hindu fantasyscapes..." With choreography by the accomplished Bharatanatyam dancer Geeta Chandran, music by Nitin Sawhney, and sumptuous visuals and effects by the crew, the dances as seen in the few clips available online make the film an absolute must watch. It's not an Indian film since it's directed by the Bhutanese lama filmmaker Khyentse Norbu with help from various countried folk, but it is set in India and was made with many Indian actors, so it is perhaps a Bhutanese/Indian/international coproduction.

This is the clip that took my breath away and has me aching to watch the film. In it, the main character Lila (Odissi dancer Shahana Goswami) dances Bharatanatyam under the nattuvangam of her mother Vinata (Geeta Chandran), the village's last devadasi. Based on Variety's review of the film which describes how the tribal leader tries to "pimp out Lila" while finding a match for a woman's son, the man staring at her as she dances is likely either the son or the tribal leader. Like him, I can't keep my eyes away from Shahana's face which registers constant emotion and danger that is enhanced by the lighting design and shadows. The entire clip has an ominous, creepy tension. Thanks to Ragothaman for pointing out this clip from Chandran's Facebook page.


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