Showing posts with label Rare Real-Life Footage. Show all posts
Showing posts with label Rare Real-Life Footage. Show all posts

Guru Gopinath Dancing in Mahatma Udhangar (1947, Tamil) and BFI Footage, Plus Thoughts on His Legacy

Saturday, November 2, 2019
How excited I am to recently find two more visual records of Guru Gopinath dancing in the mid-1940s, one in the commercial Tamil film Mahatma Udhangar and one archival find at the British Film Institute (BFI)!  Back in the dance revival decades of pre and post-independence India, Guru Gopinath was among the trained native Kathakali dancers who brought that dance form and its movement vocabulary to other parts of India and the world.  Gopinath did this first through a touring partnership with the American-born dancer known as "Ragini Devi," and later by creating a Kathakali-derived accessible dance form that seems to be known today as "Kerala Natanam."  Gopinath has been featured on the blog twice before in dance footage from the 1950s.  First was his portly and entertaining dance with Guru Gopalakrishnan/the mohini in the mythological "Mohini Bhasmasur" sequence in the 1957 Telugu/Tamil film Mayabazar, and second was the rare archival find of brief clips from his stage performance in the U.S.S.R. in 1954 as part of the Indian Cultural Delegation.  But these new finds are special because they are from a decade earlier, and feature Gopinath looking noticeably younger and thinner!



Gopinath's Dance in Mahatma Udhangar (1947, Tamil)

Mahatma Udhangar (also transliterated Mahathma, Udangar, Udankar) was an unsuccessful release directed by G. Pattu Iyer that "sank without a trace and is barely remembered today" [6], which must explain why there's so little information readily available on the film.  I shared more information about Mahatma Udhangar in my last post rejoicing about finding Kumari Kamala's dance in the film.

New Kamala Dance Finds in the Tamil Films Mahatma Udhangar (1947) and Illarame Nallaram (1958), and Better Versions of Two Kamala Classics!

Sunday, October 27, 2019
I'm back to immersing myself in searching and research, and what do I find this month but two film dances of Kamala that I've never seen before in the 1947 Tamil film Mahatma Udhangar and the 1958 Tamil film Illarame Nallaram!  Then I also discovered that the Films Division Bharata Natyam documentary she was in is now viewable in a higher resolution, and her Bharatanatyam dance in the 1956 Hindi film Chori Chori has been colorised!  Let's take a look at all these finds, one by one.

The path to discovering the two new film dances started with a new-to-me photo of Kamala that popped up in a Google Images search, which led me to her updated Wikipedia entry that I noticed now has a longer "Partial Filmography" section, which reminded me of the film dances of hers I'm still looking for, which then led to some searching that revealed these new finds!  There's also a great dance of Guru Gopinath in Mahatma Udhangar, but I'll save that for a separate upcoming post.



Mahatma Udhangar (1947, Tamil)

According to the ever reliable font of Indian film history and dance Randor Guy, Mahatma Udhangar (also transliterated Mahathma, Udangar, Udankar) was an unsuccessful release directed by G. Pattu Iyer that "sank without a trace and is barely remembered today" ("Remembering D.K. Pattammal,"  Galatta Cinema, September 2009), which must explain why there's so little information readily available on the film.

New 1950s Footage at Net-Film: Vazhuvoor Ramaiah Pillai, E.V. Saroja, Chitrasena, Vajira, and Padma Subrahmanyam!

Sunday, July 17, 2016
Today I thought, "I wonder if Net-Film has digitized any new videos featuring South Asian dance since I last visited," and they most certainly HAVE—including nattuvangam/training footage of Vazhuvoor Ramaiah Pillai, Bharatanatyam by E.V. Saroja, and Kandyan creative dance by Chitrasena and Vajira!

I had discovered the online Russian digital film/newsreel archive Net-Film back in 2013 when I posted about discovering rare video of the dancers Tara Chaudhri, Guru Gopinath, and Indrani Rahman at the site. Net-Film seems to have since expanded its collection beyond just Russia's Central Studio of Documentary Films, the "oldest and largest film studio in the former Soviet Union," to also include many other studios equaling storage of "about 50,000 films" that are being regularly digitized. Since Net-Film is aimed at providing paid licensing for its content, all the video clips are small, full-length "previews" which have the running timestamp prominently and annoyingly displayed at the bottom to aid requests for exact footage segments. Net-Film also seems to have updated the backend technology and usability of the site and it is no longer glitchy.

The Morning in India (1956, Russian)

This documentary film "about the history of India, struggle for independence, and present of the country" has the rare finds in reels 6 and 7 which focus on Tamil Nadu and West Bengal.

Video of Jack Cole Performing "Hindu Swing" in Hollywood Palace (1965)

Saturday, July 4, 2015
In my 2011 post on the "Father of Modern Jazz Dance" Jack Cole, I had included a production still of Cole dancing on the American TV show Hollywood Palace (1965). The image captured an important performance for Cole fans and historians because unlike the tight Bharatanatyam inspirations in Kismet (1955) for which Cole was behind the camera choreographing, the Hollywood Palace image captured a performance featuring Cole himself on screen dancing and, given the choice of costuming, likely featured choreography even closer to the Bharatanatyam source than usual.

I assumed the Hollywood Palace footage was lost or locked away in some LA archive somewhere which would be a shame since the extant visual footage of Cole himself dancing in frame is limited and mostly shows him outfitted in American-style clothing with the exception of a brief and tantalizing clip of him in Indian-inspired dress. But my pessimism was misplaced. Thanks to YouTuber Alfred MrDance, we finally get to see the Hollywood Palace footage! I first discovered the clip in its posting at the "Jack Cole, one of the greatest choreographers and dancers ever" Facebook page with different music overlaid. Inquiring by comment referred me to the original video on YouTube. Here it is in all its rare glory:

Video no longer available at YouTube, 

Mystery Indian Dancers in Seven Wonders of the World (1956, US)

Saturday, February 21, 2015
When fellow Indian dance sleuth Ragothaman translated sections of Shankar Venkatraman's Tamil book Thiraiulagil Isai Kalaignargal (Musicians in Cinema), I was surprised to read a number of little-known references to film and film dance appearances of Indian dancers and musicians. I previously blogged about one—Kuchipudi dancer Sobha Naidu dancing in Abhimanavanthulu (1973, Telugu)—but the few others mentions seemed to have no available footage today, like Bangalore Nagarathnammal acting in Krishna Leela (1947, Kannada) and K. Bhanumathi acting (and possibly more?) in Jalaja/Natya Magimai (1938, Tamil).

Venkatraman's book also described multiple films that the now-veteran dancer Padma Subrahmanyam had danced in: the Kannada movie Sri Rathna (likely the 1955 Kannada/Tamil film), the Tamil Nadu documentary Alaiyangalum Thiruvizhakkalum (Temples and their Festivals) in which "she danced for the song 'Kalaiyadha Kalai Engal Kalaiye' in front of the temple deities," and the American movie Seven Wonders of the World in which she "danced a 'snake dance'."

I felt excited by the last discovery! Surely Seven Wonders of the World, a 1956 American film, would be relatively easy to find, and it sounded like Padma might have done a solo dance! But a bit of research led to the discovery that the film was made using Cinerama technology, a widescreen format somewhat like today's IMAX that died out in the 1970s. Cinerama films were "impossible to see at all, in any form, for nearly half a century" because they were never broadcast on TV or released for home viewing (DVDTalk).

Rare Video of Dancers Tara Chowdhary, Guru Gopinath, & Indrani Rehman, Sitarist Ravi Shankar, & More (all thanks to Net-Film!)

Saturday, March 23, 2013

While browsing through the rest of the Vedhala Ulagam videos after my post about Kamala's peacock dance, I noticed that tucked in the middle of the clip "Sarangapani Sees Maharaja's Statue" was a classical-esque dance by a woman I did not recognize.  Re-reading Randor Guy's write-up of the film revealed that in addition to Kamala, Lalitha, and Padmini, Tara Chowdhary also had a dance sequence.  I knew I recognized that name from past researching but I couldn't remember why.  Another Randor Guy article revealed that Tara was "a classical dancer who was active in the field and danced in quite a few Tamil films of the bygone era. Today she is hardly remembered even by the dancing community in south India!"  I was initially going to do a post just on this (for my research on Tara see the section "More on Tara Chaudhury" near the end of this post), but then I made an awesome discovery!

As I googled different spelling variations of Tara Chowdhary's last name (which I'll use throughout this post), I found another rare discovery: footage not only of Tara Chowdhary but also Guru Gopinath dancing in the Soviet Union in 1954!  And the video also features a young Ravi Shankar!  Further searching of the site also turned up additional footage from the same 1954 event as well as 1967 footage of Indrani Rehman dancing!  Holy cow!!

Guru Gopinath was originally a Kathakali dancer who created the dance form "Kerala Natanam," a simplified and more accessible style of Kathakali with many innovations.  He and American-born dancer Ragini Devi formed a touring duo that "was the first professional effort in India to popularize Kathakali outside its home state or setting" [Khokar at narthaki.com].  While I once posted about Gopinath dancing in the Telugu film Mayabazar, I don't think video of Gopinath dancing outside of films is easily available, so this is quite a rare find.  And the footage of Indrani Rehman is a coincidental find because she was the daughter of, guess who, Ragini Devi!

The website that houses all these treasures is Net-Film, an online "professional digital footage archive" of the "Russian Central Studio of Documentary Films, the oldest documentary film studio in Russia."  The archive contains "21,000 items of documentaries, newsreels, arсhival footages, rough shootings etc." from the late 1800s to today, and the descriptions are available in English.  Basically, it's the Russian version of BritishPathe!  Given India and Russia's history of friendship and exchange (previously discussed in my post about Indo-Soviet cinematic ties and coproductions) and the interest Russians still maintain today in Indian dance, it is no surprise that the Net-Film archive has some fantastic and rare footage of Indian dancers visiting the former Soviet Union!

Masters of the Indian Art (1954)

Before I discuss the video footage below, here's a link to the webpage it is housed on (or click image below) so you can get it playing.  The site is a bit finicky; sometimes the net-film graphic shows instead of the video even after hitting the play button.  If you have any trouble, simply scroll to the bottom, click on "download links," and click on the .mp4 file to download the video for free! 

Click image to link to video page

What rare footage this is!  This 39-minute video documents the Indian Cultural Delegation of musicians and dancers sponsored by the Government of India who visited and performed in the U.S.S.R., Poland, and Czechoslovakia in 1954.  According to a government report [link at http://mealib.nic.in/reports/1954-55.pdf no longer available], the 1954-55 year saw a number of cultural and scientific exchanges between India and the U.S.S.R. as part of an effort to develop "cultural and economic relations with the countries of Eastern Europe" and "promote understanding at a popular level in both countries of each other's achievements."  The Delegation was headed by Mrs. Chandrasekhar, India's Deputy Health Minister, and according to the video's description included the dancers Guru Gopinath and Tara Chowdhury, singers Asa Singh Mastan, Mira Chatterjee, and Surinder Kaur, musicians Ravi Shankar, Gian Ghosh, Keeshan Maharaj, and All India Radio Director Mallik.  It is clear from the video that other unnamed dancers (Manipuri, Naga) and musicians were part of the Delegation too.

The Indian dances in the video are (most take place in the famous Bolshoi Theatre):
 
  • 7:11-9:07: Guru Gopinath performs three short mimetic dance pieces which the description identifies as "water," "elephant," and "combing the hair." 
  • 11:04-12:55: Tara Chowdhury performs a Bharatanatyam Alarippu.
  • 18:50-20:12: Dance demonstration exchanges.  Russian ballerinas perform first, then at 19:22 two female Manipuri dancers perform and at 19:29 Tara Chaudary gives an abhinaya demonstration.
  • 22:38-23:42: Naga tribal dance by four dancers.
  • 32:18-33:47: Manipuri Pung Cholom dancers who end with an exciting rhythmic interplay.
  • 34:09-36:10: Tara Chaudhury performs a Bharatanatyam Thillana.
    • Note: According to a glowing Soviet review of Chaudhari's performance, she also danced a Kathak number, but it is not found in any of the event footage (though she can be seen in her Kathak costume).

Screencaps from the dances (and Ravi Shankar in sunglasses :D ):

Film Dances/Appearances of Ram Gopal and Extant Dance Footage

Sunday, January 6, 2013
While browsing the website of the National Portrait Gallery in London, I discovered they have a page on the late famous dancer Ram Gopal who is generally recognized as the first Indian dancer to bring classical/traditional Indian dances (as opposed to Uday Shankar's style) to the West starting in the late 1930s.  As I read the NPG's description of Gopal, I couldn't believe my eyes:
 "After the War he starred in a number of Hollywood epics made on location, such as The Purple Plain (1954), and William Dieterle's Elephant Walk (1954), for which he had also choreographed the dance sequences.” 
What?! Ram Gopal starred in Hollywood films and choreographed a dance? In all my reading about Ram Gopal I had never come across mention of his stint in films! Of course, I had to go on a little research journey and find out as much about this as I could.  It appears that he had supporting character rather than starring roles in a few films.

Ram Gopal's Hollywood/British Film Work

Elephant Walk (1954) - This American film contains the only feature film dance associated with Ram Gopal I was able to find.  The dance appears to be a traditional Kandyan dance and according to the credits is performed by dancers from the Madhyama Lanka Nritya Mandala, the landmark first traditional Kandyan dance school in Sri Lanka established in the 1940s by traditional Kandyan dancer Suramba Gurunnanse/Rajapakse and still functioning today [website no longer up but archived here].  Kandyan (or “up-country”) dance is one of the three main dance forms identified with the majority Sinhala ethnic community in Sri Lanka and is considered Sri Lanka’s national dance.

The film dance was supposedly filmed at the sacred elephant octagonal at the Temple of the Tooth in Kandy.  Gopal is credited as the dance's choreographer which I found interesting since I've not read of his learning Kandyan dance in his autobiography or elsewhere.  But he did tour Sri Lanka (formerly Ceylon) in the 1940s and tried to start a "School of Pakistani, Ceylonese, and Indian dances" in the 1960s, so he certainly must have picked up Kandyan dance somewhere along the way.  An article in Sri Lanka’s Sunday Times newspaper claimed that the male lead was Ram Gopal himself, but I’m convinced it’s not after taking some screencaps of the lead dancer who definitely does not look like Ram at all.  The only person that remotely looks like Ram Gopal is the man with the spear dancing around the masked elephant at the end.

Definitely not Ram Gopal
The film dance begins with a procession of dancers walking to the performance space and then cuts to a group of male dancers wearing what looks like authentic Ves costumes.  The lead performer, pictured above, gives an incredibly energetic performance!  The sequence is frequently interrupted by the irritating dialogue of the luminous Elizabeth Taylor and her companions.  At 2:34, the female dancers appear and another solo dancer gives yet another energized but brief performance.  It's interesting that the women are not wearing the female Kandyan dance costume seen today.  The number quickly goes downhill when white chick Mylee Haulani saunters in to titillate the male onlookers but is revived when the masked elephant dancer appears at 5:15.  The feel of the whole sequence is one of the "sophisticated" westerners watching a "quaint" but strange "oriental" dance performance of the country they are in.  I wonder if any of the dancers in the scene were well-known Kandyan dancers in the 1950s? Definitely an excellent archival piece of Kandyan dance history. Here tis:



Dance Footage of Balasaraswati at the 1963 Edinburgh Festival

Saturday, December 15, 2012
Once again, BritishPathé's digitized archive holds another rare gem of Indian dance: brief footage of the legendary devadasi T. Balasaraswati giving a dance performance at the 1963 Edinburgh Festival in Scotland!  The Indian portion of the video actually begins at 3:04 with veena player Narayana Menon showing his instrument and then playing a Bach sonata.  Balasaraswati's piece begins at 3:43, shows brief shots of her nattuvanar (who is he I wonder?) and musicians on the left, and closes with a nice, crisp closeup of Bala's face ending at 4:06.  Last, harmonica artist Larry Adler performs a musical trio piece with Ali Akbar Khan and Ravi Shankar's tabla player Allah Rakha. Take a look:


What an excellent video find!  This means the number of extant recordings of Bala's dance can be increased by one.  Somehow I missed this video before when I searched through BritishPathé's archive after learning of the incredible Baroda devadasi footage and found clips of Uday Shankar, Simkie, Ram Gopal, and others.  The video's keywords don't help much since Bala's name is spelled "Balasvarasvati."  While the clip is extremely short and not what I would consider Bala's best dancing (and the sound doesn't seem to match the visuals), it is very rare and can be added to the archival record of Bala's work. 

Douglas Knight devotes a few pages of his biography on Bala to her performance at the Edinburgh Festival.  Some of the musicians who came along with her were family, and others included Sarojini Kumaraswami, a student of Jayammal.  Knight writes some delightful passages about Bala's festival experiences:

The Devadasi Video Mystery Solved! Gujarat and its Bharatanatyam Legacy

Sunday, September 30, 2012
(Update: Make sure to also read a follow-up post I made in June 2013, "Adventures in Date-ing the BritishPathe Devadasi Dance and Video.")

Back in July, I discussed a stunningly-rare video clip (Update: Replaced link with better quality version after BritishPathe transferred its videos to YouTube!) I had found at BritishPathe.com featuring two South Indian devadasis dancing some clear Sadir/Bharatanatyam along with their musical ensemble filmed allegedly between 1930 and 1935. I initially was perplexed as to why South Indian devadasis would be performing at a royal function in Baroda, a city now known as Vadodara in the northwest state of Gujarat which is over 1,000 miles (1,600 km) away from Tamil Nadu state. Then I remembered a picture of two devadasis (left) who looked eerily similar from Ashish Mohan Khokar’s “Century of Indian Dance" exhibition catalog, and the picture’s description noted how Tanjore devadasis were sent to Baroda with the dowry of the Tanjore princess Chimnabai when she married the Maharaja of Baroda, Sayajirao Gaekwad III, in 1883.  Were the dancers in that photo the same as the video?  And if so (which is a RARE FIND!), who were they?

Devadasis appear 8:07

The big break in figuring out their identity came when dance enthusiast Ragothaman (a contributor at the blog Bharatanatyam and the Worldwide Web) sent me some excellent material he had found that identified the dowry dancers said to be sent in the early 1880s as Gauri and Kanthimathi (also spelled other ways, Gawri, Gaura, Kantimati, etc.). The only problem was sources say Gauri was born in 1871 and Kanthimati in 1872, which would mean they were around age 60 when the video was filmed in the 1930s.  The video dancers certainly don't look 60!  Another possibility was that BritishPathe identified the video incorrectly and it was really filmed much earlier, but given the photos and dates below this is highly unlikely.  I think it's safe to say that the video dancers are not the famous Gauri and Kanthimathi. At first I was really disappointed by this news, but then a bit more logic and research revealed a fascinating history!

Gauri and Kanthimathi's Replacement Dancers

While the video dancers are not Gauri and Kanthimathi (more on them later), I'm convinced they are the court dancers who officially replaced Gauri and Kanthimathi after their retirement. There is a discrepancy among sources (Kothari, Sundaram) regarding exactly when they retired from court services, but the more plausible citation is that they served for 32 and 35 years respectively, putting their retirement date sometime in the 1910s or early 1920s. The video was filmed sometime in the 1930s, about 10-20 years after the point when Gauri and Kanthimathi retired and the new replacement dancers would have came to Baroda.  The appearance of the video dancers backs this up; I've been told they look like they are in their 30s, so rewinding 10-20 years would mean they were pre-teens or teens when they were brought to Baroda which is as expected. Their service ended in 1950 when the royal family stopped maintaining court dancers.

Rare Video Clips of Devadasis, Uday Shankar & Simkie, Ram Gopal, and More

Saturday, July 14, 2012
What a stunning find!  The wonderful commenter Gaddeswarup recently sent me a video from the site BritishPathé.com, and I'm grateful he did because when I explored the site further I found it houses some priceless footage of Indian dance.

British Pathé, a former film and newsreel company that "documented almost every aspect of everyday life in Britain and around the world in the 20th century" (BBC), has digitised its extensive archive ("90,000 videos from 1897-1970") online with free and full-length viewing for any visitor.  Given that Britain ruled the Indian subcontinent until 1947, the archive has a substantial number of clips of Indian events and every day life from the first half of the 20th century: independence, visits from British royalty, disorder and protests, ceremonies and weddings, festivals, politicians, dances, and much more.  Much of the older footage has a strong Orientalist tone; pictured on the left is a nice dance-related example from Indian Peeps (1930).

All of the videos can be purchased and downloaded, but since the listed duration of the videos for purchase are the same as their previews, I don't see any incentive to purchase them at exorbitant prices (30 Euros for a one-minute clip!).  What's most entertaining about the site is the descriptions; the catalogers given the job of dutifully describing each scene in every video must have gotten tired at some point because some of their phrasings are hilarious!  But I'm glad they went to that trouble because it allows the video events to be text searchable.

Unfortunately, none of the videos can be embedded, so you'll have to click on the lovely preview images to link to the video. Update: Now that BritishPathe transferred all its videos to YouTube, I've embedded them all below. Enjoy!

Devadasi Footage from the 1930s

The most important find has been a silent clip titled "Maharanee of Baroda" circa 1930-1935.  Starting at 8:06, two devadasi dancers perform in front of their musical ensemble.  The footage is stunning - the dancers are dressed exactly like those in old archival photos from this time period and before; it's as if the old photos have come to life!  They begin by dancing what looks like the alarippu portion of a Sadir/present-day Bharatanatyam performance, then move onto a more free-flowing, folksy dance style, and then return to Sadir/Bharatanatyam around 11:30.  The musicians and their instruments are fascinating; I've read accounts of how bagpipes used to be part of Sadir performances before the dance form was recreated as Bharatanatyam- I wonder if the musician on the right is an example of what is meant by "bagpipe."  Last, we must of course remember that this was a staged performance for the camera, but its historical value is immense.

Dancers appear 8:07

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